Tag Archives: geometric

The halftone pattern has been a staple of the graphic and print disciplines for over a century. It is typically defined by a repeated geometric dot pattern that fools the human eye into perceiving a gradation of color or value. In its purest use, the halftone pattern is meant to...

The interplay between the organic and the geometric is at the heart of the Geo-Organic category. This trend is very closely related to Geometric Form/Organic Matrix, but inverts the relationship between form and structure. Whereas the previous theme employs highly rational, primitive, geometric forms supported by a chaotic cellular internal...

We’ve posted several trends about the interplay between the digital and physical worlds. One aspect of the digital aesthetic that has emerged, coinciding with a broader revisiting of 1980’s design cues, is the Vector Line. Originally, this element was introduced via early 1980’s (even late 1970’s) arcade graphics: Asteroids, Tempest,...

In keeping with the Juxtaposition category’s deliberate fusion of disparate ideas, this trend focuses on the union of both form and material, and past and present. This one-two punch of clashing design elements and design eras tickles our creative minds in all the right places. Using this method, we see...

With the misinterpretation of designers as “form-givers” yielding highly complicated, over-styled forms, several aesthetic themes have emerged to bring restraint and confidence to this over-worked design element. One of the most interesting to emerge has been Monolithic Forms. This stylistic mode involves an interplay of key elements: minimalism, massiveness, and...

Many industries have relied on forms constructed of rigid angular geometries for ages. From bicycles to bridges, designers and architects know the value of the inherent strength and economy of resources that characterize this method. In recent years, designers in many other categories have adopted Angular Frameworks in fresh and...

We humans like to make our mark on the world: building structures, manufacturing products, creating systems both physical and virtual. When not a purely artistic endeavor, these works of ours usually bear the signs of a rational thought process, as opposed to the more organic evolutionary structures preferred by nature...

Up until recently, adorning entire surfaces with subtle repeating textures was only found in specific textile-based industries, such as handbags, footwear, and other fashion accessories. Seeing the luxurious visual properties inherent in a material like diamond-quilted black patent leather (as on the classic Chanel handbag), designers in other industries took...

This emerging trend is easy to describe: 1: visualize  form, 2: make with wire. Some of Alexander Calder’s earliest works in the mid-20th century were wire sculptures, where a single piece of wire was bent using only hands and pliers into thousands of different forms, from portraits to animals (eventually...

In keeping with this category, highlighting the dynamic balance between the Rational and Natural worlds, Geometric Form/Organic Matrix captures one specific method of achieving this balance. In this theme, a purely geometric form, often based on a primitive such as a cube or rectangle, defines an absolute outer boundary volume....